Self Stalking Prey: A Study for a Portrait of Little Red Riding Hood, Carl Olsson
How Images Turned Invisible, Ivan Netkachev
What Is Artificial Experience (AX), William Morgan
Design in Rising Winds, Flora Weil
What we do in the shadows. Ivar Frisch, Jenn Leung, Chloe Loewith
The A-Subject & Its Consequences.
Alexandre Montserrat
Lexical Report of the Linguistic Visualization Test Program Ian Margo
Eschatology of the Digital Visage, Giorgi Vachnadze
fieldware, Ian Margo
Vertigo2, Alexandre Montserrat
third extension, Ian Margo
After Notre Dame, Arash Farhadi
the wet box, Ian Margo
Ruins without nostalgia, Marcos Parajua
Eva Jäger
profile epistemology infrastructure web3 antikythera language LLMs AI governance ML cognition
instagram
Eva Jäger is Arts Technologies Curator and creative AI lead at Serpentine. She commissions artists working with advanced technologies, and is a collaborator in conceptualising novel approaches, workflows, and philosophies of emerging tech. At Serpentine she has worked with artists such as Holly Herndon & Mat Dryhurst, Hito Steyerl, Suzanne Treister, and Danielle Brathwaite-Shirley, amongst others.
Eva is researcher and writer for the annual Future Art Ecosystems briefing, and co-investigator of the Creative AI Lab (Serpentine and King’s College London). Eva also has an independent design practice that investigates applications of emerging computation, information, analysis, and predictive technologies, in order to better understand how they form our belief systems. This work manifests as tech-integrated performances, object design, installations, and film.
entries