邊界
biānjiè research group

邊界_RG its an artist collective and a research group. They work at the edge of language, memory, and machine cognition. Their collaboration explores the aesthetics of the recursive interplay between generative systems, speculative design, experimental essay...(learn more)

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Giorgi Vachnadze

profile researcher language LLMs AI biopolitics epistemology

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Foucault and Wittgenstein scholar. He completed his Bachelor studies at New Mexico State University and received a Master’s qualification in philosophy at the University of Louvain. Former editor and peer-reviewer for the Graduate Student Journal of philosophy “The Apricot", he has been published in multiple popular and academic journals worldwide. Vachnadze’s research focuses on philosophy of language and discourse analysis.

Some of the questions and themes addressed in his work include: History of Combat Sports, Ancient Stoicism, Genealogies of Truth, Histories of Formal Systems, Genealogy of Science, Ethics in AI and Psychoanalysis, Media Archaeology, Game Studies, and more. Vachnadze's latest work Christian Eschatology of Artificial Intelligence is a book-length comparative analysis of Christian and Neo-Liberal forms of governance seen through the lens of Biopolitics and Artificial Intelligence.

entries

Text Box: Eschatology of the Digital Visage
Algorithmic Flesh and Confessional
Aesthetics in the Work of Ian Margo
Giorgi Vachnadze

publication

(...) In this sense, its failure is generative. To fail to be computable is to refuse the enclosure of meaning. Margo’s work is, once again, not Turing-Computable, it’s Deleuze-Computable, that is to say; demonically machinic. To become unbaptized data is to remain in the domain of the Real. Like the Eucharist consumed without transubstantiation, the Wet Box leaves a pure residue, an aftertaste of what should have become body, and didn’t; it became flesh. The interface compounds the syntax error in stutters. The glitch is a processual breaking in execution and expectation. We expected sense. We were given endless remainder – lack...(more)

artworkfieldwareIan Margo 2025, digital video, color, sound 16:9 4K, 11:00min...(more)