邊界
biānjiè research group
邊界_RG is an artist collective and a research group. They work at the edge of language, memory, and machine cognition. Their collaboration explores the aesthetics of the recursive interplay between generative systems, speculative design, experimental essay...(learn more)
biome
S02 home about profiles publications artworks events join us donate
desert
cybernetics language memory interface digital culture new media LLMs learn more...
mail       x       instagram



Ian Margo & Fakewhale Interview, d/wb project
Crisis Media: Sonic Architectural Synaesthesia, Stochastic Redundancy and Nuclear Post-Humanitarian Tactic Yidi Lola Wang
Chatbots as Psychoanalysts, or, ‘The Talking Cure Morgane Billuart
Creative Liberation or Digital Colonization?, David Lazăr
The Artificial Unconscious, Germán Sierra
Artificiality and Emotions: Beyond the FleshMorgane Billuart
Fango 1000 & Large Lore Models, dmstfctn, Alasdair Milne, Eva Jäger
Self Stalking Prey: A Study for a Portrait of Little Red Riding Hood, Carl Olsson
How Images Turned Invisible, Ivan Netkachev
What Is Artificial Experience (AX), William Morgan











邊界
biānjiè research group
邊界_RG its an artist collective and a research group. They work at the edge of language, memory, and machine cognition. (learn more...)

Crisis Media: Sonic Architectural Synaesthesia, Stochastic Redundancy and Nuclear Post-Humanitarian Tactic Yidi Lola Wang
Chatbots as Psychoanalysts, or, ‘The Talking Cure Morgane Billuart
Creative Liberation or Digital Colonization?, David Lazăr
The Artificial Unconscious, Germán Sierra
Artificiality and Emotions: Beyond the Flesh Morgane Billuart
biome
home about profiles publications artworks events join us donate      
desert
cybernetics language memory interface on-chain cognition computation subjectivities new media LLMs ecology policy economy learn more...    























S02 Format Statement & Technical Logic For A Body That Remembers
Format s02 emerges centered on these practices, seeking to reconceptualize and reconcile the operative possibilities—both aesthetic and theoretical—within the conditions of digital culture, situating its inquiry at the limit, the edge, the frame, the frontier