邊界
biānjiè research group
邊界_RG its an artist collective and a research group. They work at the edge of language, memory, and machine cognition. Their collaboration explores the aesthetics of the recursive interplay between generative systems, speculative design, experimental essay, and posthuman modes of communication...(learn more)
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desert
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publication artwork
(...) surface, black, eye, not, is, an, reflect, code, trait, overcoded, produced, dimension, percept, proper, story, flesh, volume, dream, model, signifier, construct, before, distinction, system...(more)
What we do in the shadows. Ivar Frisch, Jenn Leung, Chloe Loewith
The A-Subject & Its Consequences.
Alexandre Montserrat
Lexical Report of the Linguistic Visualization Test Program Ian Margo
Eschatology of the Digital Visage,
Giorgi Vachnadze
fieldware, Ian Margo
Vertigo2, Alexandre Montserrat
third extension, Ian Margo
After Notre Dame, Arash Farhadi
the wet box, Ian Margo
Ruins without nostalgia, Marcos Parajua
Heliodromus, Levi Yitzhak
my beloved new face, Ian Margo
GATE-1, Ian Margo
Touch Down, Entropocene, Shāng Wén Shān
Officially Affiliated Observer, Pavel Polshchikov
Marcos Parajua
profile artist researcher language immediate mediation subjectivities embodiment
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Marcos Parajuá is an artist, theorist and independent researcher interested in the relationships between the mediated and the immediate in the construction of subjects, truth, emancipation and bodies.
These constants are shared through audiovisuals, new media, installations, paintings and objects.
entries
Ruins without nostalgia
Marcos Parajua
(...) What remains after an event? Does language prevail over an image or a sound in presenting “that which remains”? Edmund Burke invokes Milton: “(Over) many a dark and dreary (valley) They (passed), and many a region dolorous; (Over) many a frozen, many a fiery Alp; Rocks, caves, lakes, dens, bogs, fens, and shades of Death”. Burke contends: “This idea or this affection caused by a word (Death), which nothing but a word could annex to the others…”.1 In this saying, the ways of romantic visual arts are too articulate to lend proper care to indeterminacy. Retrospectively we might argue that Burke contemplated abstraction exclusively as “thought” realised in language but I´d rather follow a different inquiry. Burke also conceives descriptive language an insufficient correlate of the object described; this, he observes, is not a problem of clarity but intensity. To bridge the difference...(more)