邊界
biānjiè research group
邊界_RG is an artist collective and a research group. They work at the edge of language, memory, and machine cognition. Their collaboration explores the aesthetics of the recursive interplay between generative systems, speculative design, experimental essay...(learn more)
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Ian Margo & Fakewhale Interview, d/wb project
Crisis Media: Sonic Architectural Synaesthesia, Stochastic Redundancy and Nuclear Post-Humanitarian Tactic Yidi Lola Wang
Chatbots as Psychoanalysts, or, ‘The Talking Cure Morgane Billuart
Creative Liberation or Digital Colonization?, David Lazăr
The Artificial Unconscious, Germán Sierra
Artificiality and Emotions: Beyond the FleshMorgane Billuart
Fango 1000 & Large Lore Models, dmstfctn, Alasdair Milne, Eva Jäger
Self Stalking Prey: A Study for a Portrait of Little Red Riding Hood, Carl Olsson
How Images Turned Invisible, Ivan Netkachev
What Is Artificial Experience (AX), William Morgan













Yidi Lola Wang

profile artist researcher social architect independent writer-activist language LLMs AI ETENS policy cognition
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Yidi Lola Wang 汪一笛 is an artist, social architect, and independent writer-activist. She is the initiator of Eternal Terra Ear New Society (ETENS), and a public speaker for ETENS’s post-humanitarian cultivation at the IRCAM Forum Center Pompidou, European Citizen Science Association, and UN Ocean Decade conference, etc. She once studied at the Chinese University of Hong Kong, Independent School for the City, and Fab City Global Foundation x IAAC Barcelona. She was a researcher in Hong Kong post-war urban cooperative housing development, research participant at Sciences Po Paris DSA Sprint of Open Institute for Digital Transformation, and youth delegate of the World Bank summit 2025.


entries
 publication

“Meandering among concepts and grassroots practices, this essay points out the entanglement between them, rather than advocating for any single perspective as a solution. It is structured into three interrelated analyses. First, from computation to global infrastructure, the analysis covers geopolitical meanings and regional development based on systematic planning. Then, their shared empirical abstractness and intrinsic composition lead to and echo with the discussion of the correlation between music and architecture, initially analysed by musician and architect Iannis Xenakis, according to whom a stochastic system accommodating order and disorder emerges elevated into aesthetics. Third, I argue the stochastic system contains anxiety from disorder and noise, reassembling artificial aesthetics’ effect, which dominates the post-Cold War nuclear consciousness (deterrence). The planetary differs from the occurred globalism as neutrality; it is discovered through contextual adaptations, tipping redundancy, and computation in objects and strategic diplomacy in exploitative national developmentalism. Philosophical reflection and policy analysis are the main methodologies here. From a systemically entangled perspective, threads of thinking across disciplines are dared to emerge, preparing for an ongoing practice of post-humanitarian composition formalizing cultural production.“(...more)


























S02 Format Statement & Technical Logic For A Body That Remembers
Format s02 emerges centered on these practices, seeking to reconceptualize and reconcile the operative possibilities—both aesthetic and theoretical—within the conditions of digital culture, situating its inquiry at the limit, the edge, the frame, the frontier