What Is Artificial Experience (AX), William Morgan
Design in Rising Winds, Flora Weil
What we do in the shadows. Ivar Frisch, Jenn Leung, Chloe Loewith
The A-Subject & Its Consequences.
Alexandre Montserrat
Lexical Report of the Linguistic Visualization Test Program Ian Margo
Eschatology of the Digital Visage,
Giorgi Vachnadze
fieldware, Ian Margo
Vertigo2, Alexandre Montserrat
third extension, Ian Margo
After Notre Dame, Arash Farhadi
the wet box, Ian Margo
Ruins without nostalgia, Marcos Parajua
Heliodromus, Levi Yitzhak
my beloved new face, Ian Margo
GATE-1, Ian Margo
Touch Down, Entropocene, Shāng Wén Shān
[video fragment] for requesting a private view, contact here
fieldware
2025, digital video,
color, sound 16:9 4K,
11:00min
artwork LLMs new media interface
language cybernetics video abstraction economy
fieldware is a linguistic exploration of the object and its potential constitution through sign and mediation. Addressing openness and the complex-hole, this project generates experimental avenues around abstraction as the production of meaning. Through ‘what comes off’, ‘fieldware’ emerges as a redundancy, a broken rhythmic play, a collapse of vanishing lines, presenting field and ware, ground and ground, thus working the sign as a gesture that stretches over a flat line until it is interrupted by the brutal form of the immediate.
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(...) In this sense, its failure is generative. To fail to be computable is to refuse the enclosure of meaning. Margo’s work is, once again, not Turing-Computable, it’s Deleuze-Computable, that is to say; demonically machinic. To become unbaptized data is to remain in the domain of the Real. Like the Eucharist consumed without transubstantiation, the Wet Box leaves a pure residue, an aftertaste of what should have become body, and didn’t; it became flesh. The interface compounds the syntax error in stutters. The glitch is a processual breaking in execution and expectation. We expected sense. We were given endless remainder – lack...(more)